Keeping water flowing to Tombstone no easy task

 

Kevin Rudd stepped out of his truck in Carr Canyon, his $200 hiking boots crunching on the loose rock underfoot. He reached into the backseat for a short dagger because he’d forgotten his gun.

Slinging a bag over his shoulder, he began the mountain trek he makes every weekday.

Rudd, who came to town as a neophyte by way of Tucson, Scottsdale and the Florida Keys, found a Tombstone in trouble when he began his job as the city’s public works project manager.

The town too tough too die had only two aqueducts bringing mountain water to its 1,000-plus people, and they’d both run dry. 

This summer’s Monument Fire ripped through Carr and Miller canyons in the Huachuca Mountains, and subsequent landslides wreaked havoc on the town’s water lifelines. A chance meeting with Mayor Jack Henderson and then $50,000 in emergency funding from Gov. Jan Brewer led Rudd to Tombstone, where he has been charged with keeping the town from drying up.

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Salsa dancing sizzling in Southern Arizona

[caption id="attachment_52" align="alignleft" width="700"]salsa_003Gerardo Armendariz runs through salsa dance techniques in a class before the Sunday Salsa Social at Arizona Ballroom in Tucson. The social is held every second and fourth Sunday of the month. (Photo by Josh Morgan/ASNS) [/caption]

 

Rodrigo Fernandez swiveled and shook his hips with what looked like chaos inside the Tucson ballroom but in fact was the precision of his body moving with each pounding beat of the salsa music.

Fernandez, 28, a junior network administrator at DLC Resources Inc. in Phoenix and a 2005 University of Arizona graduate with a double major in computer science and math, said dancing salsa in his spare time is one of his passions.

“I say, people should try dancing at least once in their life,” said Fernandez, who speaks softly and always with a slight smile. “I think it’s one of those things you have to do before you are no longer on Earth.”

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UA grad remembers Sept. 11, the day her husband was taken from her

Christie Coombs’ husband was senselessly taken away from her in the Sept. 11 terrorist attacks, but the Yuma native who now lives in Abington, Mass., has dealt with her sorrow for the last 10 years by giving back to others in need.

Coombs, a 1982 University of Arizona journalism graduate, lost her husband Jeffrey, a 1981 UA business graduate, when the plane he was on slammed into the World Trade Center in New York.

On Sept. 11, 2001, Jeffrey Coombs boarded American Airlines Flight 11 in Boston, on his way to Los Angeles on a business trip for his job at Compaq Inc.

Flight 11 was the first airplane to hit the World Trade Center.

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Patagonia flute maker spreads music worldwide

[caption id="attachment_47" align="alignright" width="600"]Odell Borg, owner of High Spirits Flutes, says anyone can learn to play the Native American flute. (Photo by Sandra Westdahl/ASNS)Odell Borg, owner of High Spirits Flutes, says anyone can learn to play the Native American flute. (Photo by Sandra Westdahl/ASNS)[/caption]For Odell Borg, one of the most elusive qualities of a good flute is consistency.

“Nowadays, when you’re playing with other instruments, be it guitar, piano or any other instrument, it has to be in a certain key,” said Borg, owner and chief craftsman at High Spirit Flutes in Patagonia. “That’s always a challenge, to get consistency in tuning.”

Borg has been making and selling handcrafted flutes for more than 20 years. He and his staff of 14 work hard to achieve the kind of consistency expected by their discerning customers. He said the current process of making a flute has been honed through trial and error. It takes between two and three weeks to transform blocks of wood into musical instruments.

Though it began in a one-car garage in California, High Spirits Flutes has expanded year by year and now offers 65 Native American-inspired flutes of differing keys and pitch ranges. All of the instruments are crafted onsite and then sold locally and internationally.

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Saddle making an art in Magdalena, Sonora, shop

One of the craftsmen at Talabartería Rancho Grande in Magdalena, Sonora, works on cowhide that ultimately will become part of a custom saddle. (Photo by Samantha Sais/ASNS)It takes thousands of taps from a small wooden hammer onto cowhide to make a fancy saddle, and Talabartería Rancho Grande in Magdalena, Sonora, has been doing it for more than 60 years.

Strips of leather are piled in one corner of the saddle shop, which occupies a corner of a narrow one-way street in the Mexican town about 50 miles south of the border. The smell of leather is distinct throughout the shop.

Luis Molina founded Talabartería Rancho Grande in 1949 after he heard ranchers complaining that they didn’t have a comfortable saddle to ride in for hours, or the saddles they did have weren’t durable and broke too easily.

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